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The idea is of course not to say too much about the scenario of Outlast II so much it is better to keep the surprises intact. All we can say is that he goes very, very far in the representation of certain basenesses that our world can engender, underneath obscure cults, prophecies, appalling visions and curses. We think a lot about some masterpieces of horror playing under the title of Red Barrels, sure of his references to distill an atmosphere to put anyone in PLS without falling into the easy jump scare.
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